Please join me this Sunday, May 30th for a Studio Sale and open house.
I’ll be showing some new work and would love to gather and catch up! I’ve missed you all!
Sunday May 30th
2pm - 5pm
220 South St
Rockport
Please join me this Sunday, May 30th for a Studio Sale and open house.
I’ll be showing some new work and would love to gather and catch up! I’ve missed you all!
Sunday May 30th
2pm - 5pm
220 South St
Rockport
I’ve been wanting to create a video for my artist book Keepsakes for a while and so here it is - enjoy!
Well it finally feels like the world is starting to open up and I’m delighted to share some exhibition news.
June 10 2021 Page Gallery - Reverie
Aug 19 2021 Page Gallery - Materiality
Jan 7 2022 A Smith Gallery - Touchstones
July 7 2022 The Griffin Museum - Touchstones
Internal Dialog group show - TBD
I will be showing some new work at the Page Gallery in Rockport as part of their show Reverie, this show opens June 10 so stay tuned for the opening. Later in the summer I will also have work in their show Materiality which opens August 19th! A busy summer for sure.
So pleased to share that my project Touchstones with Dawn Surratt is going to be showing at the A Smith Gallery in Texas in January of 2022 and then the The Griffin Museum of Photography in July!.
Threshold from the series Touchstones with Dawn Surratt.
Pleased as punch to have work featured in the Diffusion Annual X from One Twelve Publishing. This is always such a beautifully curated and designed periodical and presents a thoughtful celebration of the craft of photography. Really honored to be included.
It’s been seven days
that have passed,
in this world
without you.
And I’m still searching,
for your face,
scrolling for memories
in the dark.
It was Fall when we began,
our stained hands,
tipping trays.
He’s cute you whispered,
a friendly aside.
The openings when
you showed up,
you always showed up,
always knew that
it mattered.
Later, Houston.
Turell at dawn,
Twombly by lunch,
Rothko in the afternoon.
A stolen day
Just for us..
Summer, binding books,
frustrated with the folding,
with the exactness of the making.
You took what you needed,
leaving the rest,
making it yours
uniquely, brilliantly,
perfectly
yours.
New Orleans in December, .
A balm of dusty beignets
on a cold afternoon.
Last month, of you,
the only mention —
It’s a drag, you said,
but I’m doing okay,
I just get really tired.
And I believed you,
about the okay part.
A shared vision —
my words colliding
with your blues, ochres, silver.
our expanding constellations
on the page.
I’ll do it soon. I said.
Weeks passed.
I heard you, at the end, saying hi,
at the end, I heard you.
Not knowing,
it was the last time.
And in my diary,
my note, too late:
- poem for Paula.
Thank you so much to everyone at The Photobook Journal for selecting Landfall as one of their most interesting books of 2020. So very grateful for this recognition.
Thank you to Douglas Stockdale and the team at Photobook Journal for this considered and thoughtful review. It means so much when someone truly appreciates and understands your work. What an honor to be included here.
“Her poems are printed on reverse of a French-fold semi-translucent vellum pages, so reading the poetry is like experiencing words that are lost in a gentle fog. This hazy and indistinct fog is also common to the Maine coastline and adjacent islands in the off-season. Pages of her beautiful poetry are layered over equally lyrical black and white photographs that appear to be ghostly images situated in the distance behind her text. This is a brilliant metaphoric book design feature that creates multiple layers about the potential readings of her thoughtful narrative”. Douglas Stockdale - Photobook Journal.
Thank you Bob Keys for featuring Landfall in the Portland Press Herald in his review of the show accompanying the launch. On view now at The Page Gallery until November 8.
I am so thrilled to announce the launch of my new limited edition book Landfall, which takes you on a journey through the islands off the coast of Maine in Penobscot Bay through my photographs and poems. I am also releasing a collector’s edition of the book that comes in a case made by Shelter Bookworks with a letterpress poem printed by the Brother of Elysium and a platinum-palladium print. Thank you to Kat Kiernan for the wonderful foreword.
Thank you so much to Aline Smithson and the team over at Lenscratch for writing about the project I’ve been working on in collaboration with my good friend Dawn Surratt. Dawn is a wonderful photographer and artist and it has been one of the unexpected pleasures from this strange and challenging year to get to know her. Our project Touchstones was envisioned as a call and response, where we create diptychs and write poetry inspired by the imagery. It is a meditation on connection in times of isolation.
You can read more about in this conversation between Dawn and I on Lenscratch.
So thrilled that Landfall is featured in this week’s summer ready by Don’t Take Pictures. The wonderful and talented Kat Kiernan wrote the foreward to Landfall and it is a better book because of it. Thanks also to Andy Adams for featuring it in FlakPhoto.
My good friend and I Dawn Surratt began a project together when this pandemic began. Sharing images and poems, creating diptychs and inventions to help us navigate this time together. You can check it out at Touchstones or follow us on Instagram @touch__stones. It’s been such a support and inspiration working with Dawn through this time. Here’s my most recent post.
I lie awake, alert
to the scritchscratch
of the night raiders
launching their assault
against the stoic coop.
Their small babyhands, human-like;
panda eyes, needle teeth.
Night thoughts -
like drunken flies
circling the light,
can find no purpose
or direction,
just random, panicked,
instinct.
I turn, and hear
a rustle in the woods,
my eyes snap, open.
thinking not thinking —
Breathe.
Dilemmas,
like pebbles in my mouth
rolling over and over;
my tongue
smoothes their contours
with relentless
consideration,
reconsidering.
Today, tomorrow
then, now, before, after,
this, that, how, which way —
when?
No answers
from the night.
Just the leaves,
whispering their lullaby
for the dreamless.
Thank you to Photo Place for including my image “Dreaming of Waking” as part of their online exhibition Portraits of Self Isolation during the Corona virus pandemic.
It has been such a pleasure to work with the folks at Datz press on my book Landfall. Last week they sent me this video of the work in progress!
Can you imagine
your son,
with his neck
under the knee,
as his breath came in shorter
and he begged for release?
Or your daughter,
asleep in her bed,
as the door came down
and she woke in
terror to the
shootingshouting roaring
through her ears?
Or your cousin, out running,
brought down
in his prime,
for no
reason?
Or a child,
a young child,
your
child —
beaten,
on the side
of the road,
like she was nothing
like she was not
even
a
thing?
You cannot imagine,
because this,
should be
unimaginable.
But we are
watching
watching
watching
We should be
listening
listening
listening
For the time for watching
is over,
and the time for acting
is now.
This poem is available as a limited edition print with 100% of proceeds going to the NAACP Legal Defense Fund.
How to Make this Moment the Turning Point
Barack Obama
How to Support the Struggle Against Police Brutality
The Cut, New York Magazine
The Leaving
Thank you to Fran Forman and Michael Kirchoff for including my photograph The Leaving in their online exhibit Internal Dialogue. An honor to be amongst such fine photographers.
From the jurors: For all of us, forced social distancing can be accompanied by fear, anger, loneliness - but also a time for self-reflection. None of us has ever experienced a time like this. What are our feelings about this? We artists apply our internal feelings to our creations. How does this manifest in our internal dialogue? We want to see how your inner thoughts are expressed in external ways.
You followed us
to the barn,
late at night.
We played pool
and you slept,
under the table,
barely lifting
your head.
You still ran for the ball,
slower now -
a slight roll to your gait.
Arthritis, we thought.
You swayed as you stood,
steadily watching us,
deciding when
we would be ready
for you to leave.
Our brother,
getting older.
We still thought
we had years
to squander.
You walked with us,
around the field,
swam doggily in the pond,
that one, last, time.
Then you laid down
and would not get up,
would not move for a treat,
nor thump your tail,
at the sound
of your name.
And we knew.
that you were done,
that you were ready
to leave us
to feel you gone.
Last week I was fortunate enough to teach a very talented group of photographers in my class for Maine Media - Exploring Photographic Styles. I so enjoy teaching this class as it gives students a chance to try their hand at a range of photographic genres. They have to be brave, try new things and not be afraid of making mistakes - because there are none! Here is a selection of their beautiful work from the week.
For more information on upcoming classes and workshops. Please sign up for my newsletter from the homepage.
Finally it is evening.
In the kitchen,
the children chatter,
Outrage, then
laughter breaks
over the dishes.
I am washing up,
bent over,
wiping away,
the endless remains
of dinner.
We careen through chaos,
in each others way —
yet pulled together,
like random space junk
orbiting the sun.
Intent upon routine,
I find comfort in
this domestic rhythm.
Through the window,
the Spring light strikes
a stand of trees,
the sky behind them,
thunder-dark.
The lone birch,
where the swing
hangs vacant,
is lit, as if by torchlight.
All alive in limb and sinew
it calls on us to notice.
We pause and stare
at this, the world cracked open,
light pours in
silver-swift.
Just as quick,
the moment’s gone,
an evening gift
we hold forever.