bio

Sal Taylor Kydd is a photographic artist and writer whose work interweaves photography, poetry, and alternative processes to explore memory, belonging, and the passage of time. Drawing from personal narrative and a deep attentiveness to place, her practice moves fluidly between the visual and the literary.

Her photographs have been exhibited widely across the United States and internationally, most recently in an exhibition at the Datz Museum of Art in Seoul, South Korea, curated by Sangyon Joo of Datz Press. Her work has appeared in Don't Take Pictures, Lenscratch, Diffusion Annual, and The Hand Magazine, among other publications.

Taylor Kydd is the author of several artist books, works that weave her poetry into her photographic practice, that are held in collections including the Getty Museum, Bowdoin College, and the Peabody Essex Museum. Her most recent book, In the Midday Silver, an exploration of grief and loss, is forthcoming from Datz Press in summer 2026. In 2024, she was named a finalist in the Critical Mass photography competition.

Originally from the UK, she holds a BA in Modern Languages from the University of Manchester and an MFA in Photography from Maine Media College. She lives and works on the coast of Maine.

Contact

Contact me by email sal@saltaylorkydd.com if you have an inquiry or just want to reach out :)

Artist Statement

My practice combines photography and poetry to create layered narratives that move between the vivid, fleeting moments of the present and the lasting imprints of the past. By blending two forms of expression: visual and literary, I explore how memory shapes identity and how our sense of place anchors our story.

Photography is a way of making our memories tangible, allowing us to revisit them in our search for understanding. The book and the photographic object extend this: they are tactile, intimate forms that slow the viewer down, enabling deeper reflection. Similar to memory, the book form presents lucid sequences, fragmentary yet narrative. Assemblage is a form of restoration, an excavation of personal archeology.  Poetry, working in tandem, adds another layer of resonance. Like photography it evokes the language of metaphor to connect us to deeper meaning.  All these mediums invite a slow, contemplative engagement with themes of memory and belonging.

I am drawn to the objects and artifacts we surround ourselves with, items that hold memories and act as emblems of our personal histories, marking the passage of time. By repurposing objects alongside my own photographs, found images, and excerpts of poetry, I interrogate and reframe their stories - crafting new meaning from reassembled ephemera.

Working across a variety of mediums: assemblage, the book form, and alternative photography,  I am drawn consistently to work where the hand of the artist is an integral part of the process. The physical act of making: manipulating images, objects, and words, grounds me in the process of understanding. offering a tactile way to navigate these themes.

C.v.